نت آهنگ Toccata et Fuga از باخ برای پیانو به آهنگسازی یوهان سباستیان باخ و تنظیم یوهان سباستیان باخ

نت قطعه Toccata et Fuga از باخ

اهنگساز یوهان سباستیان باخ

The Toccata and Fugue in D minor, BWV 565, is a piece of organ music written, according to its oldest extant sources, by Johann Sebastian Bach. Its time of origin, narrowed down depending on author, lies between c.1704 and the 1750s. The piece opens with a toccata section, followed by a fugue that ends in a coda. To a large extent the piece complies to the characteristics deemed typical for the north German organ school of the baroque era, but divergent stylistic influences, such as south German characteristics, have been described in scholarly literature on the piece.

For a century after its creation the only certainty about this Toccata and Fugue is that it survived in a manuscript written by Johannes Ringk. The first publication of the piece, in the Bach Revival era, was in 1833, through the efforts of Felix Mendelssohn, who also performed the piece in an acclaimed concert in 1840. The piece knew a fairly successful piano version by Carl Tausig in the second half of the 19th century, but it was not until the 20th century that its popularity rose above that of other organ compositions by Bach. That popularity further expanded, for instance by its inclusion in Walt Disney’s Fantasia, until the Toccata and Fugue in D minor came to be considered as the most famous work in the organ repertoire.

A wide, and often conflicting, variety of analyses has been published about the piece: for instance in literature on organ music it is often described as some sort of program music depicting a storm, while in the context of Disney’s Fantasia it was promoted as absolute music, nothing like program music depicting a storm. In the last quarter of the 20th century scholars like Peter Williams and Rolf-Dietrich Claus published their studies on the piece, and argued against its authenticity. Bach scholars like Christoph Wolff defended the attribution to Bach. Other commentators ignored the authenticity doubts or considered the attribution issue undecided. No edition of the Bach-Werke-Verzeichnis listed the Toccata and Fugue among the doubtful works, nor does its entry on the website of the Bach Archiv Leipzig even mention alternative views on the attribution issue.